Tiwa Savage Speaks on Unfair Comparisons with Other Female Artists in Nigeria

Posted by Siseko Tapile
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Tiwa Savage Speaks on Unfair Comparisons with Other Female Artists in Nigeria

Tiwa Savage Opens Up About Comparisons in the Music Industry

Nigerian singer Tiwa Savage, a renowned and cherished figure in the music industry, has recently opened up about the constant comparisons she faces against other female artists. These comparisons, often fueled by fans, have left her feeling frustrated and misunderstood. ‘Each time a new female artist emerges,’ she noted, ‘fans are quick to declare that they are here to take my throne.’ This sentiment, Savage believes, is misguided and unproductive.

Speaking candidly in a recent interview with BET, Savage shed light on how these comparisons place undue pressure on both herself and the rising talents in Nigeria’s vibrant music scene. The implicit suggestion that only one female artist can occupy the top spot feeds into a narrative of competition that Savage firmly rejects. Instead, she chooses to foster a sense of camaraderie and support among female artists.

Music is Not a Competition

Tiwa Savage is unequivocal in her belief that music is an art form, not a contest. ‘Music is far too diverse and subjective to be reduced to a mere competition,’ she explained. For her, the essence of music lies in expression and connection, not in battling for supremacy. This outlook aligns with her approach to the industry, where she prioritizes collaboration over rivalry.

Her friendships with new female artists are a testament to this philosophy. By building bridges rather than walls, Savage creates a nurturing environment where talent can flourish without the shadow of competition. This approach also helps mitigate the toxic fan culture that pits artists against each other and distracts from their creative contributions.

Shifting the Focus to Male Artists

Interestingly, Savage pointed out that the real competition in the industry lies with male artists. The disproportionate attention and resources often afforded to male counterparts can overshadow the contributions of female artists. In this context, the constant comparison between female artists seems not only misplaced but also unfair.

This was vividly illustrated when Tyla, a female artist, won the maiden Best African Music Performance category at the Grammys. Beating several male nominees was a significant milestone that resonated with Savage. It underscored the potential for female artists to excel in a landscape typically dominated by men, and it highlighted the importance of recognizing and celebrating such achievements.

Support and Mentorship

Support and Mentorship

One of the ways Savage mitigates the pressure of comparisons is through mentorship. By offering guidance and support to emerging artists, she helps them navigate the complexities of the music industry. ‘It’s incredibly rewarding to see new talents grow and succeed,’ she shared. ‘Their success doesn’t diminish mine; it’s a validation of the collective strength and creativity of African women in music.’

This mentorship goes beyond mere advice. Savage actively collaborates with new artists, inviting them to perform at her shows and featuring them in her music projects. This not only boosts their visibility but also provides them with valuable experience and exposure. For Savage, these collaborations are enriching and mutually beneficial.

Fans' Role in Shaping Perceptions

Savage's comments also reflect a broader issue within fan culture. The fervor and passion of fans, while a driving force behind an artist's success, can sometimes create a divisive environment. By constantly pitting artists against each other, fans perpetuate a winner-takes-all mentality, which can be detrimental to the industry’s overall health.

Savage encouraged fans to appreciate the uniqueness of each artist without drawing comparisons. ‘Every artist brings something different to the table,’ she said. ‘It’s that diversity that makes the music scene so rich and exciting.’ Her call to action is clear: support all artists, male or female, and celebrate their contributions without the need for competition.

A Brighter Future for Female Artists

As the conversation around gender equality in the music industry gains momentum, Tiwa Savage's stance is both timely and crucial. By advocating for solidarity and support among female artists, she sets a powerful example for others to follow. Her belief that there's enough room for everyone at the top is not just refreshing, but essential for the progress of the industry.

Tiwa Savage’s journey is a testament to resilience, talent, and the power of positive influence. As she continues to break barriers and inspire new generations, her message of unity over competition is more relevant than ever. For budding female artists looking up to her, Savage remains an icon of what’s possible when talent is combined with a supportive and inclusive mindset.

In conclusion, Tiwa Savage's reflections serve as a reminder that the true essence of music is in its ability to connect, uplift, and inspire. By rejecting the notion of competition among female artists, she paves the way for a more inclusive and harmonious industry. As fans and industry stakeholders, embracing this perspective can lead to a richer, more diverse musical landscape, where every artist has the opportunity to shine.

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christine mae cotejo
christine mae cotejo

Tiwa Savage’s candor about the endless comparison treadmill is a breath of fresh air in an industry that often thrives on drama and rivalry.
She highlights how fans, in their zeal, weaponize new talent as a threat rather than celebrating diversity.
By framing the discourse as a false zero‑sum game, she dismantles the myth that there can only be one queen of Afrobeats.
Her stance invites up‑and‑coming artists to view each other as collaborators, not competitors.
She also sheds light on the structural bias that privileges male acts, siphoning resources and airplay away from female voices.
This systemic imbalance fuels the toxic narrative that only a single woman can sit at the pinnacle.
Tiwa’s mentorship model-inviting newcomers onstage, co‑writing tracks, sharing production credits-creates a supportive ecosystem.
When established stars uplift protégés, the entire genre benefits from richer sonic palettes.
Her approach mirrors the concept of a “musical polynomial,” where each term adds unique value to the sum.
Listeners, in turn, receive a mosaic of experiences rather than a monochrome broadcast.
She reminds us that competition is a construct, not a creative necessity.
Fans, by shifting focus from hierarchy to appreciation, can become catalysts for artistic innovation.
Moreover, her emphasis on celebrating male and female achievements side by side promotes equity on the charts.
In the long run, this philosophy could recalibrate award committees, streaming playlists, and media coverage to reflect true merit.
Tiwa is not just defending her own throne; she’s redefining the entire palace architecture for future generations.
Her message, if heeded, could usher in an era where every artist feels empowered to rise without fear of being labeled a usurper.

May 29, 2024 at 01:00

Douglas Gnesda
Douglas Gnesda

From a strategic standpoint, Tiwa’s call for solidarity tackles the root cause of fan‑driven market segmentation.
By leveraging cross‑promotional tactics, she can amplify audience reach for all participating artists, creating a network effect that benefits the ecosystem.
When labels allocate resources to cooperative projects, the ROI spikes due to shared fan bases.

May 29, 2024 at 07:57

Abhijit Pimpale
Abhijit Pimpale

The comparison hype is simply noise.

May 29, 2024 at 14:53

Eric DE FONDAUMIERE
Eric DE FONDAUMIERE

Yo, Tiwa’s vibe is all about liftin up new talent, not tryna git them off her throne, ya know? It’s like, why not collab and make some dope tracks together?

May 29, 2024 at 21:50

Pauline Herrin
Pauline Herrin

While the sentiment expressed is commendable, one must acknowledge that the industry’s structural biases extend beyond mere fan perception; they are entrenched within distribution channels, radio programming, and award nomination processes.

May 30, 2024 at 04:47

pradeep kumar
pradeep kumar

Tiwa’s narrative is idealistic, yet the market reality remains unforgiving; without concrete data showing a shift in streaming algorithms, her optimism may be premature.

May 30, 2024 at 11:43

love monster
love monster

It’s refreshing to see a superstar actually using her platform to open doors for others-makes the whole scene feel more inclusive, and that’s good for everyone’s growth.

May 30, 2024 at 18:40

Christian Barthelt
Christian Barthelt

Calling it a “competition” might be a stretch; the data shows that co‑signs and features typically boost streaming numbers across the board, so Tiwa’s mentorship is a smart business move, not just altruism.

May 31, 2024 at 01:37

Ify Okocha
Ify Okocha

Honestly, the whole “queen” drama is just another excuse for fans to gossip; Tiwa should focus on dropping more tracks instead of preaching unity.

May 31, 2024 at 08:33

William Anderson
William Anderson

Oh great, another celebrity preaching about “support” while the industry keeps stapling new talent to the same old profit models-nothing new here.

May 31, 2024 at 15:30

Sherri Gassaway
Sherri Gassaway

One could argue that the very act of labeling any artist as a “competitor” imposes a narrative that restricts authentic artistic expression, a paradox worth contemplating.

May 31, 2024 at 22:27

Milo Cado
Milo Cado

Tiwa’s approach is exactly the kind of positive energy we need 😊! Collaboration over rivalry builds a stronger community, and that’s a win‑win for creators and fans alike.

June 1, 2024 at 05:23

MONA RAMIDI
MONA RAMIDI

Okay, I get the “no competition” spiel, but let’s be real-everyone wants that top spot, and pretending otherwise is just wishful thinking.

June 1, 2024 at 12:20

grace riehman
grace riehman

Tiwa’s vibes really shout out to the whole African diaspora, showing love to every girl who wants to slay in music-big up for that!

June 1, 2024 at 19:17

Vinay Upadhyay
Vinay Upadhyay

Sure, Tiwa’s mentorship sounds nice, but unless the label pipelines actually shift their quota for female producers, it’s just a PR stunt-nothing more.

June 2, 2024 at 02:13